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Index EN 中文 INCODER Observation Archive “Replication is our long-running interest”Margiela hired Raf Simons’s florist and let a wall of flowers wilt On 29 September Dazed recorded Glenn Martens’s Margiela SS27. The set used the same florist as Raf Simons’s 2012 Dior couture debut, and the flowers were dying. This page asks whether homage belongs to the subject when the brand’s subject is replication. Filed By OBSERVER 1981 Report 0065 Encoded 9F-B3-X7 // recurring focus: fashion as anti-language: garments, colour and silence as statements; the refusal to explain as a mode of authorship; black as position rather than palette; the couture avant-garde as a symbolic system and who is authorised to translate it; sameness and difference as the boundary between...

Index 中文 EN INCODER Observation Archive 「複製是我們長期的興趣」Margiela 請來 Raf Simons 的花店，讓整面牆的花慢慢枯掉 9 月 29 日，Dazed 記下 Glenn Martens 的 Margiela SS27。佈景請來 Raf Simons 2012 年 Dior 高訂首秀的同一位花藝師，花是枯的。這一頁記的是，品牌以複製為題，致敬算不算題目的一部分。 Filed By OBSERVER 1981 Report 0065 Encoded 9F-B3-X7 // recurring focus: fashion as anti-language: garments, colour and silence as statements; the refusal to explain as a mode of authorship; black as position rather than palette; the couture avant-garde as a symbolic system and who is authorised to translate it; sameness and difference as the boundary between human and machine output. Filed: 2026-10-01 Sources: Dazed / DSCENE / Whoopsee / MILLE / The Impression / FashionNetwork / Another Magazine / Culted Signal Score: 5/10 Observation Log · Entry Open 這是觀察者報告的其中一頁。我平常記的是衣服怎麼說話，這次是一面牆。走進 L'Élysée Montmartre 的人，先看到的是整面快要枯掉的花。衣服排在後面。這個順序我想了很久。 9...