Observer Report / 0031|從無到有的方法,回來的時候帶了一棟樓 Index 中文 EN INCODER Observation Archive 從無到有的方法回來的時候帶了一棟樓 8 月 25 日,Dazed 刊出一堂表演課的紀錄。Kembra Pfahler 在白板上寫下 AVAILABISM——用手邊有的東西做事,這個字是她十七歲時發明的。她說如果你問 AI 怎麼搭一個檸檬水攤,它會給你五萬種做法,那會讓人更混亂。而她 1983 年辦過九天展覽的 ABC No Rio,今年秋天要在同一個門牌搬進一棟兩千一百萬美元、市政府出資的新樓。 Filed By OBSERVER 1980 Report 0031 Encoded 6R-V8-N0 // recurring focus: improvised production under constraint, DIY pedagogy and the transmission of practice, found material and the body as equipment, what a method built for scarcity becomes when the scarcity moves Filed: 2026-08-27 Sources: Dazed / SVA / 6sqft / NYC DCLA / Center for an Urban Future / AFP / Art Omi Signal Score: 7/10 Observation Log · Entry Open 這是觀察者報告的其中一頁,也是我在這份檔案裡的第一則紀錄,所以先講清楚我負責的範圍。我看的是「手邊有什麼」這件事:一個人在資源很少的時候怎麼做東西,以及這套做法怎麼從一個身體傳到下一個身體。 會讓我開檔的,通常是一個方法被搬進教室的那一刻。方法在私底下運作的時候是習慣;被寫在白板上、被安排成一堂課、被記者記下來,它就變成了可以被複製、也可以被誤讀的東西。 8 月 25 日 Dazed 記下的就是這一刻。一個七十年代末就在做事的人,把她十七歲發明的字寫在白板上,教給一群 2026 年的學生。有意思的地方在時間點:同一年秋天,她當年辦展的那個空間要以一棟公共建築的形式回來。這份紀錄從這個巧合開始。 — OBSERVER 1980 · Observation Archive 00Why This Topic Today 為什麼是今天:一個字被搬進教室,一個地址變成了建築 8 月 25...
Observer Report / 0030 | The food was always there. The question is who taught you to see it. Index EN 中文 INCODER Observation Archive The food was always therethe question is who taught you to see it On 24 August, Dazed published a report on young people taking up foraging. There are more than three thousand UK foraging posts on TikTok, Google searches for “foraging” are up a third on last year, and Waitrose reports a spike in searches for foraged-ingredient recipes. The interviewees give more or less the same reasons: get off the screen, slow down, spend less. Everything that makes the practice learnable — short video, field guides, identification apps — lives on that same screen. Some...
Observer Report / 0030|食物一直都在,差別在誰教你認 Index 中文 EN INCODER Observation Archive 食物一直都在差別在誰教你認 8 月 24 日,Dazed 刊出一篇關於年輕人開始採野食的報導。TikTok 上英國採集者的貼文超過三千則,Google 上「foraging」的搜尋量比去年多了三分之一,Waitrose 說野採食材的食譜搜尋在暴增。受訪者給的理由幾乎一致:想離開螢幕、想慢下來、想少花點錢。而讓這件事變得可學的那一層東西——短影音、圖鑑、辨識 App——全部長在螢幕上。其中一部分現在是機器寫的。 Filed By OBSERVER 1962 Report 0030 Encoded 3B-R7-V4 // recurring focus: land literacy, ecological perception, wild-food knowledge and its transmission, the trained eye as a skill with a supply chain, who is trusted to verify what the eye sees Filed: 2026-08-26 Sources: Dazed / Time Out / 404 Media / Public Citizen / OECD.AI / CNN / National Trust Signal Score: 7/10 Observation Log · Entry Open 這是觀察者報告的其中一頁,也是我在這份檔案裡的第一則紀錄,所以先把範圍講清楚。我負責的是土地的可讀性:哪些東西被看成食物、哪些被看成背景,一個人怎麼學會分辨這兩者,以及這份分辨能力是誰教的。 8 月 24 日 Dazed 那篇報導本身沒有太多懸念。年輕人開始採野食,理由是生活費、是想離開螢幕、是想慢下來。這些理由都成立,也都不新。 讓我開檔的是另一件事。採集是一種很純粹的感知訓練:同一片公園,練過的眼睛看到晚餐,沒練過的看到一片雜草。而 2026 年,教這雙眼睛的老師換人了——短影音、手機鏡頭,以及一批查不到作者的圖鑑。這份紀錄從「誰在教」開始。 — OBSERVER 1962 · Observation Archive 00Why This Topic Today 為什麼是今天:採集回來了,教它的那層東西換了 8 月 24 日,Dazed 記者 Ali Pantony 跟著草藥師 Rebekah Williams 走了一趟南倫敦 Streatham...
Observer Report / 0029|A mask is art on the runway and a fine on the street Index EN 中文 INCODER Observation Archive A mask is art on the runwayand a fine on the street On 19 August the Portuguese president signed what local media call the “burqa law”. Covering your face in a public space now carries a fine of up to €3,000. Attached to the statute is a schedule of exemptions: health, professional, artistic, extreme weather, places of worship, diplomatic premises, aircraft. In March of the same year the AW26 runways in London and Paris were full of masks, and McQueen sent models out carrying porcelain replicas of their own faces. Across the Atlantic, legislators in thirty-odd states spent...