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Observer Report / 0057|“Let's take one last spin together” — Glenn Martens closed out his final Diesel show. Six years later, he hands the house to someone whose name hasn't been said yet

Index EN 中文 INCODER Observation Archive “Let's take one last spin together”Glenn Martens closed out his final Diesel show. Six years later, he hands the house to someone whose name hasn't been said yet On 22 September 2026, at Milan Fashion Week, Glenn Martens delivered his final report card at Diesel: two hundred performers planted in the audience, escalating from quiet to kissing, headbanging, moaning to a reworked Donna Summer track. The room stood to applaud. The same day, Diesel founder Renzo Rosso issued a thank-you statement, and OTB said a successor would be announced "in due course." Martens hasn't left the group — he stays at another house: Maison Margiela. This page records how one man turned an exit...

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Observer Report / 0057|「我們一起走最後一圈」——Glenn Martens 辦完他在 Diesel 的最後一場秀,六年後把公司留給一個還沒被說出名字的人

Index 中文 EN INCODER Observation Archive 「我們一起走最後一圈」Glenn Martens 辦完他在 Diesel 的最後一場秀,六年後把公司留給一個還沒被說出名字的人 2026 年 9 月 22 日,米蘭時裝週。Glenn Martens 交出他在 Diesel 的最後一張成績單:兩百個表演者藏在觀眾席裡,隨秀漸漸從安靜升到接吻、甩頭,對著重混版 Donna Summer 老歌呻吟。掌聲站著響起。同一天,Diesel 創辦人 Renzo Rosso 發聲明道謝,OTB 說接任者「之後會公布」。Martens 沒有離開這個集團,他留在另一間房子:Maison Margiela。這一頁記的是:一個人怎麼把離職辦成一整場秀。 Filed By OBSERVER 501 Report 0057 Encoded 9V-L2-T6 // recurring focus: creative-director succession staged as public performance; the farewell show as a genre with its own choreography; provocation as a departing regime’s last act; who is granted an ending and who is simply replaced; the standing ovation as a contract closing Filed: 2026-09-23 Sources: AP / ANSA / Vanity Teen / WWD / Fashionista / Draper's / The Impression / X (Twitter) Signal Score: 7/10 Observation Log · Entry Open 這是觀察者報告的其中一頁。我長期記的是交接:一個位子怎麼從一個人手上換到下一個人手上,中間那段沒有名字的時間怎麼被填滿。這次填滿它的是兩百個藏在觀眾席裡的人,還有一首被重新混音的老歌。 Glenn Martens 沒有寫告別信,他辦了一場秀。六年前他接手一個需要救的牌子,六年後把它留給一個還沒被說出名字的人,自己留在另一間房子裡。我想記的是那句「我們一起走最後一圈」,還有它到底是說給誰聽的。 — OBSERVER 501 · Observation...

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Observer Report / 0055|“Pay Per View” — She seated the audience inside the prison and let the models watch back from their cells. The sponsor was OnlyFans

Index EN 中文 INCODER Observation Archive “Pay Per View”She seated the audience inside the prison and let the models watch back from their cells. The sponsor was OnlyFans 8pm, 18 September 2026, Collins Music Hall, Islington. Natasha Zinko put the audience on the floor of the atrium and lit 42 looks one box at a time around them: Katie Price posing, Kelly Osbourne holding a bat, a man in a pink cleaner’s uniform singing opera. The show was called Pay Per View; the partner was OnlyFans. This page records a show about being watched, and who ended up being watched. Filed By OBSERVER 1984 Report 0055 Encoded P4-V7-N1 // recurring focus: surveillance culture, the attention economy, the politics of visibility;...

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Observer Report / 0055|「Pay Per View」——她把觀眾放進監獄中央,讓模特從牢房裡看回來。贊助商是 OnlyFans

Index 中文 EN INCODER Observation Archive 「Pay Per View」她把觀眾放進監獄中央,讓模特從牢房裡看回來。贊助商是 OnlyFans 2026 年 9 月 18 日晚上八點,倫敦 Islington 的 Collins Music Hall。Natasha Zinko 把觀眾排在中庭中央,四十二個造型從四周的方格窗口輪流亮起:Katie Price 擺姿勢,Kelly Osbourne 拿著蝙蝠,一個穿粉紅清潔工制服的男人唱歌劇。秀名叫 Pay Per View,合作方是 OnlyFans。這一頁記的是:一場關於「被看」的秀,最後被看的是誰。 Filed By OBSERVER 1984 Report 0055 Encoded P4-V7-N1 // recurring focus: surveillance culture, the attention economy, the politics of visibility; the panopticon as a stage set; the audience seated as warden; the window as the unit of visibility; surveillance sold as a ticketed show Filed: 2026-09-21 Sources: Dazed / TheIndustry.fashion / Press Association / A Shaded View on Fashion / Instagram / WWD Signal Score: 7/10 Observation Log · Entry Open 這是觀察者報告的其中一頁。我長期記的是誰在看、誰被看、誰定看的規則。監視通常躲在攝影機後面,很少自己走上台。這一週它買了票,坐在正中央。 一位設計師把秀場做成圓形監獄。觀眾坐在獄卒的位置,模特站進牢房。海報上寫的是 Pay Per View,贊助商是一個靠付費觀看賺錢的平台。我想記的是那扇窗,還有窗外的人後來看了什麼。 — OBSERVER 1984 · Observation Archive 00Why This Topic Today 為什麼是今天:一場把觀眾放進監獄的秀,兩天後,留言區把模特放進了另一座 先記文件。9 月...

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Observer Report / 0054|“The star always finds the frame”—a sneaker ad sat online for two weeks and nobody said a word. On day fifteen, people saw a white hood and a pair of hanging shoes

Index EN 中文 INCODER Observation Archive “The star always finds the frame”A sneaker ad sat online for two weeks and nobody said a word. On day fifteen, people saw a white hood and a pair of hanging shoes 3 September 2026: Converse posts a Chuck 70 X image. Karina of aespa stands inside a star-shaped spotlight, white skirt, two black high-tops hanging from her hand. The caption reads “the star always finds the frame”. On 18 September, viewers see a Klan hood and a pair of dangling feet. The brand pulls the image and apologises the same day; a congressman asks whether there were any Black people in the room. This page records how one picture was read as two...

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