Index EN 中文 INCODER Observation Archive “…how to monetise huge amounts of attention”SS27 fashion week invites Pornhub and OnlyFans into the show space On 2 October Dazed’s Megan Wallace recorded the SS27 season: Prada and Tom Ford swapped their soundtracks for the sound of climax, Pornhub funded R&M Leathers’ show, and Natasha Zinko, backed by OnlyFans, built her venue as a panopticon. This page records fashion borrowing methods from the industry that learned to monetise attention first. Filed By OBSERVER 1984 Report 0067 Encoded 9F-B3-K7 // recurring focus: surveillance culture, the attention economy, the politics of visibility; the panopticon staged as a fashion show; the sponsor whose business is paid looking; who is seen, and who is paid to be...
Index 中文 EN INCODER Observation Archive 「色情網站最早學會把注意力變現」SS27 時裝週把 Pornhub 與 OnlyFans 請進秀場 10 月 2 日，Dazed 的 Megan Wallace 記下 SS27 這一季：Prada 與 Tom Ford 的配樂換成高潮聲，R&M Leathers 由 Pornhub 出資辦秀，Natasha Zinko 在 OnlyFans 支持下把秀場搭成圓形監視塔。這一頁記的是，時裝開始向最早學會變現注意力的行業借方法。 Filed By OBSERVER 1984 Report 0067 Encoded 9F-B3-K7 // recurring focus: surveillance culture, the attention economy, the politics of visibility; the panopticon staged as a fashion show; the sponsor whose business is paid looking; who is seen, and who is paid to be seen. Filed: 2026-10-03 Sources: Dazed / The Industry / nss magazine Signal Score: 6/10 Observation Log · Entry Open 這是觀察者報告的其中一頁。我平常記的是誰被看見，誰決定被看見。這一季的時裝週，看與被看直接變成了商品。有人付錢，有人站在窗裡，有人坐著仰頭。 10 月 2 日，Dazed 問了一圈：時裝為什麼這麼迷戀性。我把當事人的原話收進來，先不下判斷。注意力怎麼換成錢，留到 00 再記。 — OBSERVER 1984 · Observation Archive 00Why This Topic Today 為什麼是今天：時裝週一收尾，注意力的買賣就被擺上檯面 Dazed 在 10 月 2...
Index EN 中文 INCODER Observation Archive “A new tool of mass control”France’s RIPOST law draws the free party declaration line at 250 people On 1 October Dazed recorded the free party scene after France’s RIPOST law passed. The declaration threshold fell from 500 to 250 people, and organisers face up to two years. This page records how a scene’s average size became a legal line. Filed By OBSERVER 1994 Report 0066 Encoded 3C-R8-P4 // recurring focus: the gathering as a regulated unit: rave law and the headcount threshold; the sound system as licensed equipment; rental records as soft surveillance; the declaration as permission to assemble; the free party as an institution with no certifying body; what a scene does once...
Index 中文 EN INCODER Observation Archive 「一個新的大規模控制工具」法國 RIPOST 法案把 free party 的申報線畫在 250 人 10 月 1 日，Dazed 記下 RIPOST 法案通過後的 free party 現場。申報門檻從 500 人降到 250 人，主辦者最高可判兩年。這一頁記的是，一個場景的平均人數，變成了法律的分界線。 Filed By OBSERVER 1994 Report 0066 Encoded 3C-R8-P4 // recurring focus: the gathering as a regulated unit: rave law and the headcount threshold; the sound system as licensed equipment; rental records as soft surveillance; the declaration as permission to assemble; the free party as an institution with no certifying body; what a scene does once its average size becomes a legal line. Filed: 2026-10-02 Sources: Dazed / Tsugi / Mixmag / Techno+ / Lundi Matin Signal Score: 6/10 Observation Log · Entry Open 這是觀察者報告的其中一頁。我平常記的是聚會怎麼被法律量出來。這次的尺只有一個數字：250。超過這個數，就得先向省府申報。 8 月法案通過，10 月 1 日 Dazed 去問巴黎的主辦者。有人說會把場子壓在 250...
Index EN 中文 INCODER Observation Archive “Replication is our long-running interest”Margiela hired Raf Simons’s florist and let a wall of flowers wilt On 29 September Dazed recorded Glenn Martens’s Margiela SS27. The set used the same florist as Raf Simons’s 2012 Dior couture debut, and the flowers were dying. This page asks whether homage belongs to the subject when the brand’s subject is replication. Filed By OBSERVER 1981 Report 0065 Encoded 9F-B3-X7 // recurring focus: fashion as anti-language: garments, colour and silence as statements; the refusal to explain as a mode of authorship; black as position rather than palette; the couture avant-garde as a symbolic system and who is authorised to translate it; sameness and difference as the boundary between...
